Marie-Laure sits on the floor of the key pound and opens her book. When part one left off, Professor Aronnax had traveled only six thousand leagues. So many left to go. But something strange happens: the words do not connect. She reads, During the entire day, a formidable school of sharks followed the ship, but the logic that is supposed to link each word to the next fails her. Someone says, “Has the director left?” Someone else says, “Before the end of the week.” Her father’s clothes smell of straw; his fingers reek of oil. Work, more work, then a few hours of exhausted sleep before returning to the museum at dawn. Trucks carry off skeletons and meteorites and octopi in jars and herbarium sheets and Egyptian gold and South African ivory and Permian fossils. On the first of June, airplanes fly over the city, extremely high, crawling through the stratus clouds. When the wind is down and nobody is running an engine nearby, Marie-Laure can stand outside the Gallery of Zoology and hear them: a mile-high purr. The following day, the radio stations begin disappearing. The warders in the guards’ station whack the side of their wireless and tilt it this way and that, but only static comes out of its speaker. As if each relay antenna were a candle flame and a pair of fingers came along and pinched it out. Those last nights in Paris, walking home with her father at midnight, the huge book clasped against her chest, Marie-Laure thinks she can sense a shiver beneath the air, in the pauses between the chirring of the insects, like the spider cracks of ice when too much weight is set upon it. As if all this time the city has been no more than a scale model built by her father and the shadow of a great hand has fallen over it. Didn’t she presume she would live with her father in Paris for the rest of her life? That she would always sit with Dr. Geffard in the afternoons? That every year, on her birthday, her father would present her with another puzzle and another novel, and she would read all of Jules Verne and all of Dumas and maybe even Balzac and Proust? That her father would always hum as he fashioned little buildings in the evenings, and she would always know how many paces from the front door to the bakery (forty) and how many more to the brasserie (thirty-two), and there would always be sugar to spoon into her coffee when she woke? Bonjour, bonjour. Potatoes at six o’clock, Marie. Mushrooms at three. Now? What will happen now?
